Artists in the project “In My Opinion… Jewelry With a Message” want to know the exhibitions in which their pieces are shown. It is not always easy to find this information from the News or our FB fanpage. So we decided to make a traditional list of names and places publish this information on our website.
Here it is:
- 7-9 June 2018 – JUBINALE Fair, Kraków
- 29 July – 30 August 2018 – Museum of Goldsmithing Art , Kazimierz Dolny
- 6 September – 1 October 2018 – Gallery of the International Amber Association, Gdańsk, ul. Warzywnicza 1
- 4-6 October 2018 – GOLDEXPO Fair; Warszawa, ul. Prądzyńskiego 12/14
- 25 October – 22 November 2018 – MAGAN GALLERY, London, 16 Trinity Rd.
- 12 December 2018 - 6 January 2019 - Gallery of Art in Legnica, a selection of works, as part of the exhibition "Shades of White and Red"
- 13 - 17 December 2018 - Beijing, China International Jewelry Fair, a part of works
- 17 January - 4 Febuary 2019 - DUBIEL Gallery, Warszawa, al. Waszyngtona 24
- 4 April - 4 May 2019 - YES Gallery, Poznan, Paderewskiego 7
- 13-15 June 2019 – JUBINALE Fair, Kraków
- 5 July - 1 September 2019 - Regional Museum in Sandomierz
- 2 - 26 October - Gallery of Art in Legnica
- 7 November 2019 - 7 January 2020 - City Museum in Zabrze
- 10 January - 4 Febuary 2020 - YES Gallery, Poznan, Paderewskiego 7
- 7 Febuary - 10 March 2020 - Museum of Contemporary Jewelery, Warsaw, Plac Konesera 8
- 19 June - 29 September - District Museum in Konin, Muzealna 6
- 2 October - 15 January 2021 - Muzeum Ziemi Lubuskiej in Zielona Gora, Al. Niepodległości 15
- 1-3 July 2019 – JUBINALE Fair, Kraków
- 23 July 2021 - 31 January 2022 - Amber Museum in Gdansk
- 2-4 June 2019 – JUBINALE Fair, Kraków
- 6 August 2022 - January 2023 – Museum of Goldsmithing Art, Kazimierz Dolny
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 21* | |||
Ewa Joanna | Apanowicz | Argentoplication | √ | √ | √ | √ | ||||||||||||||||||
Monika | Bajka | Mr Cogito Among Those Who Are Going in 2019 – a visualised poem | √ | √ | √ | √ | ||||||||||||||||||
Andrzej | Bandkowski | Alas, our dreams rarely turn the wheel of events. (Jan Izydor Sztaudynger) | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||
Anna | Betley | „Silence is so accurate”. Nanga Parbat 2018 | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||
Anna | Betley | Whispers of the Heart | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||
Anna | Betley | Feed the World...or Eat the World | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||
Anna | Betley | I Am Not Interested In What You Feel. I Am Not Interested In What You Think (Don’t Get Impassioned) | √ | √ | √ | √ | ||||||||||||||||||
Marcin | Boguslaw | Dumb as a Cow | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||
Marcin | Boguslaw | bacon, to be or not to be | √ | √ | √ | √ | √ | |||||||||||||||||
Andrzej | Boss | Building Blocks | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||
Andrzej | Boss | 110519.1 110519.2 110519.3 | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||||
Andrzej | Boss | Rebellion | √ | √ | √ | |||||||||||||||||||
Victoria | Bramin | Triplex – …Everything Depends on the Point of View… | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||
Victoria | Bramin | Red Point - Seed Of Life | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||
Agnieszka | Bruzda | Notes From a Lecture | √ | √ | √ | |||||||||||||||||||
Wojciech Jerzy | Brylka | Natura appetit perfectum | √ | √ | √ | √ | √ | |||||||||||||||||
Wojciech Jerzy | Bryłka | Polish Icons I | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||||||
Milosz | Bukowski | Seven Cardinal Sins... | √ | √ | √ | √ | ||||||||||||||||||
Anna | Butwell | For Every Woman | √ | √ | √ | √ | √ | √ | ||||||||||||||||
Jacek | Byczewski | We, the Nation… | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||
Jacek | Byczewski | Destruction of Values | √ | √ | √ | √ | √ | √ | √ | |||||||||||||||
Dorota | Cenecka | "Freedom" My City | √ | √ | ||||||||||||||||||||
Tim | Carson | Luv too | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||
Roxana | Casale | Exposed | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||||||
Roxana | Casale | Left To Their Own Devices | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||||||
Elzbieta | Chojak-Mysko | Drama of Fish | √ | |||||||||||||||||||||
Malgorzata | Chrusciel-Waniek | A Great Mystery of Faith | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||
Anna i Witold | Chudzik | The One | √ | √ | √ | √ | √ | √ | √ | |||||||||||||||
Piotr | Cieciura | Changes. Changes? Changes! | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||
Piotr | Cieciura | 2015 - 20.. | √ | √ | √ | √ | √ | |||||||||||||||||
Danka | Czapnik | Future. A Key Issue | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||
Danka | Czapnik | Lost Time | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||
Teresa | D`Antas | Swing | √ | √ | √ | √ | √ | √ | √ | |||||||||||||||
Teresa | D`Antas | Cruise | √ | √ | √ | √ | √ | √ | √ | |||||||||||||||
Mariusz | Deka | Aleppo | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||
Nico | Delaide | Cardboard diamonds karma, padauk diamonds karma, paper diamonds karma | √ | √ | √ | |||||||||||||||||||
Maryla | Dubiel | Clean up After Your Dog | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||
Francesca | Di Ciaula | Forget Me Not No.1 and No.2 | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||||
Francesca | Di Ciaula |
#Ni una menos |
√ | √ | √ | √ | ||||||||||||||||||
Ewa | Effenberg-Kaja | Parallel Worlds | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||||
Mariusz | Fatyga | Great Catholic Poland | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||
Michal | Fatyga | Welcome, Refugees | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||
Michal | Fatyga | Keep Your Tongue in Chech | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||
Maria | Fijalkowska | The One That Didn’t Exist – Amoeba | √ | |||||||||||||||||||||
Maria | Fijalkowska | Ab ovo | √ | |||||||||||||||||||||
Daria | Galus | Pandemic Ties | √ | √ | √ | |||||||||||||||||||
Krzysztof | Ginko | To Se Ne Vrati (The Past Will Never Return) | √ | √ | √ | |||||||||||||||||||
Krzysztof | Ginko | A Wheel of Events (to Andrzej Bandkowski) | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||
Mariusz | Gliwinski | In My Opinion, Life Is Beautiful | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||
Mariusz | Gliwinski | Urban | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||
Maria | Gower | The Fallen Angel | √ | |||||||||||||||||||||
Iwona | Grabowska | Stairs to Heaven | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||
Piotr | Grad | Just an Ornament | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||
Piotr | Grad | A Piece of History | √ | √ | √ | |||||||||||||||||||
Irena&Marek | GregoriCazenave&Nowaczyk | When Will the Corals Bloom Again? | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||
Irena&Marek | GregoriCazenave&Nowaczyk | Let Our Memory Connect Us | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||
Julia | Groos | All Oppression Is Connected | √ | √ | √ | |||||||||||||||||||
Dorota | Gulbierz | Only Naked Truth Can Liberate Me | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||||
Velvet | Hart | Captured | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||
Elzbieta | Held | Man, It Sounds Proudly? | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||||
Elzbieta | Held | Boar (Sus scrofa), Polish mutation of 2019 | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||||
Haidemarie | Herb | surFace | √ | √ | √ | |||||||||||||||||||
Kamila | Hoffmann | Everything Breaks, Everything Is Put Together Again | √ | √ | √ | √ | √ | |||||||||||||||||
Jacek Maria | Hohensee | Ptasznik Ojczysty (Untranslatable) | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||||
Holland | Houdek | Cadaveric Hepatic Transplantation, Liver Replacement | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||||||
Romualdas | Incirauskas | Social Communication – I | √ | √ | √ | |||||||||||||||||||
Romualdas | Incirauskas | Social Communication – II | √ | √ | √ | |||||||||||||||||||
Andrzej | Jacyszyn | In My Opinion… Writing History Anew | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||
Andrzej | Jacyszyn | Someone Has Come to Burn Our House | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||
Andrzej | Jacyszyn | White-and-Red Hatred | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||
Andrzej | Jacyszyn | Are we like that? | √ | √ | √ | √ | ||||||||||||||||||
Andrzej | Jacyszyn | Bait for an Overlord | √ | √ | ||||||||||||||||||||
Sybille | Jagfeld | That`s me | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||||||
Ania | Janiga | Memory of a Tree I | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||
Ania | Janiga | Memory of a Tree II | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||
Agnieszka&Tomasz | Jankowiak&Falkiewicz | Pictogram “Backpack” | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||||||
Oliwia Malgorzata | Janowska | Lunula | √ | √ | ||||||||||||||||||||
Tadeusz | Jaskowiak | Piano Variation No 1 | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||
Tadeusz | Jaskowiak | Here and Now | √ | √ | √ | √ | ||||||||||||||||||
Joanna | Jaworski | Remember the Gardens… (Jonasz Kofta) | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||
Joanna | Jaworski | Remember the Gardens…II | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||||
Joanna | Jaworski | As you make your bed... | √ | √ | √ | √ | ||||||||||||||||||
Joanna&Jacek | Jaworski&Hohensee | Hidden Identity | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||
Karolina | Kabaszyn | The Souls of the Forest | √ | √ | √ | |||||||||||||||||||
Pawel | Kaczynski | The Fifth Element – the Woman | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||||
Pawel | Kaczynski | Murder for Freedom, Religion for Absolution | √ | |||||||||||||||||||||
Jaroslaw | Kolec | For the Body and the Soul | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||
Jaroslaw | Kolec | Mirror 2020 | √ | √ | √ | √ | ||||||||||||||||||
Jaroslaw | Kolec | Everything Dependes on the Point of Viev | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||||||
Jaroslaw | Kolec | Sunny Pince-nez | √ | √ | √ | √ | ||||||||||||||||||
Marek | Korytowski | Worldwide Lockdown Covid -19 | √ | √ | √ | |||||||||||||||||||
Zofia, Witold | Kozubski | A Ladder | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||
Zofia, Witold | Kozubski | Tribute to Duke Ellington | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||
Zofia, Witold | Kozubski | Go to the election – everything’s under control | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||
Zofia, Witold | Kozubski | Illusion | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||
Zofia, Witold | Kozubski | Allowed for Consumption | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||||||
Zofia, Witold | Kozubski | In Solidarity with the Women’s Strike | √ | √ | √ | |||||||||||||||||||
Zofia, Witold | Kozubski | Keep Quiet (Woman in Patriarchal Society). Action = reaction | √ | √ | √ | |||||||||||||||||||
Ryszarda, Tomasz, Kamil | Krzesimowski | The Main Thing Is to Be Content with Oneself | √ | |||||||||||||||||||||
Ryszarda, Tomasz, Kamil | Krzesimowski | Freedom Is Not Only a State of Mind | √ | |||||||||||||||||||||
Ryszarda, Tomasz, Kamil | Krzesimowski | Attributes of Humility, open project: “27:1” | √ | |||||||||||||||||||||
Ryszarda, Tomasz, Kamil | Krzesimowski | Attributes of Humility, open project: a powder compact | √ | √ | √ | √ | √ | √ | ||||||||||||||||
Elzbieta | Kurkiewicz | Ring with a Pink Halo | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||||
Adrianna | Kusielczuk | Longing | √ | √ | √ | |||||||||||||||||||
Marianna | Lamenta | Is It Beauty? | √ | √ | √ | |||||||||||||||||||
Ariel | Lavian | Them | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||
Ariel | Lavian | Deformation as an Object | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||
Ariel | Lavian | Plastdeath Tree | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||
Felieke | van der Leest | African American Indian, African Caucasian Indian | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||||
Felieke | van der Leest | Medal for Killing a Baby Rhino | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||||
Barbara | Ludwicka | Eternal Dualism of Imperfection | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||||||
Barbara | Ludwicka | And Then There Were None (Agatha Christie) | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||||||
Waleria | Lugowska | My Accent Is of a Worse Sort | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||
Waleria | Lugowska | Poland is my Home | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||
Waleria | Lugowska | Requiem | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||||
Waleria | Lugowska | The Silence of the Lambs | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||
Agnieszka | Lukasik-Klosek | Engagement ring | √ | √ | √ | |||||||||||||||||||
Agnieszka | Lukasik-Klosek | She and He | √ | √ | √ | |||||||||||||||||||
Cezary | Lutowicz | Noodles for the Ears. (This is a Polish idiom, equivalent to English - to pull the wool over sb’s eyes) | √ | √ | √ | |||||||||||||||||||
Katarzyna | Mackiewicz | Muzzle 2020 | √ | √ | √ | √ | ||||||||||||||||||
Katarzyna | Mackiewicz | Symbol of (In)fertility of the 21st c. | √ | √ | √ | √ | ||||||||||||||||||
Katarzyna | Mackiewicz | More Than Just Hormones – supplement to the work Symbol of the (In)Fertility of the 21st c. | √ | √ | √ | |||||||||||||||||||
Lieta | Marziali | Pothole: On Emptiness and What We Leave Behind | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||
Lieta | Marziali | Norfolk fields: On the Alchemy of Before, Between and Beyond. | √ | √ | √ | √ | √ | |||||||||||||||||
Lieta | Marziali | Phoney: On Vainglory and the Affliction of Affectation | √ | |||||||||||||||||||||
Magdalena | Maslarz | A Dream of Teeth Falling Out | √ | √ | √ | √ | √ | √ | √ | |||||||||||||||
Kelly | McCullum | Frozen life | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||
Joanna | Mirecka-Szuleta | Appropriation of the State. „We Will Not Fly Far…” | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||
Marek | Nalecz-Nieniewski | Each of Us Is Different | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||
Marek | Nalecz-Nieniewski | #no comment | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||||
Karolina | Niedzielska | Don’t come near | √ | √ | √ | |||||||||||||||||||
Marta | Norenberg | Body Positive – Body Negative | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||
Marta | Norenberg | You are here - the Circle of Life | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||
Marta | Norenberg | The same, but completely different | √ | √ | √ | √ | √ | |||||||||||||||||
Marta | Norenberg | Disciplining Nature | √ | √ | √ | √ | ||||||||||||||||||
Marta | Norenberg | Triptych: I Disciplining the Body and Mind II Beauty Hurts. III Accept Yourself, but... | √ | √ | √ | |||||||||||||||||||
Ewa | Nowacka-Piechowiak | Are They Talismans Only? | √ | √ | ||||||||||||||||||||
Marek | Nowaczyk | Transplantations Are Not Only Hope. | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||
Marek | Nowaczyk | Maybe better yes? | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||||
Marek | Nowaczyk | xxxxx xxx (slogan from Women’s Strike written in Braille | √ | |||||||||||||||||||||
Marek&Irena | Nowaczyk&Gregori Cazenave | You Shall Love Your Neighbor As Yourself (The Bible) | √ | √ | ||||||||||||||||||||
Marek&Krzysztof | Nowaczyk&Nowinski | Poland for Poles | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||
Marek&Krzysztof | Nowaczyk&Nowinski | Amulet or Fetish? | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||
Krzysztof&Marek | Nowinski&Nowaczyk | We Must Eat That Frog | √ | √ | √ | |||||||||||||||||||
Maria | Ostrowska | Tender eyes - seeing injustice. Tender eyes - seeing solutions. | √ | √ | ||||||||||||||||||||
Jacek | Ostrowski | Rooster | √ | √ | √ | √ | √ | |||||||||||||||||
Michalina | Owczarek-Siwak | Returns | √ | √ | √ | |||||||||||||||||||
Andrzej | Pacak | GOD@universe.com | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||
Andrzej | Pacak | The Order of Honor for the Citizens of Słupsk | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||
Andrzej | Pacak | Ritual knife for… | √ | √ | √ | √ | √ | |||||||||||||||||
Andrzej | Pacak | For our and your Freedom?; | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||
Andrzej | Pacak | The Order of the Knights of "the Round Table" | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||
Andrzej | Pacak | #Me too #Me too? #Me too! | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||||
Andrzej | Pacak | Love me tender, love me true - O & O, O & Δ, Δ & Δ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||||||
Mariusz | Pajaczkowski | My Wonderful World | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||||
Mariusz | Pajaczkowski | Man’s Proper Place | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||||||
Mariusz | Pajaczkowski | Devaluation (of Time, Value, and Form) | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||||||
Mariusz | Pajaczkowski | 20th century spoons | √ | √ | √ | √ | √ | |||||||||||||||||
Mariusz | Pajaczkowski | Illusion. The Grass Is Always Greener on the Other Side. | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||
Mariusz | Pajaczkowski | Illusion. There Above It Will Certainly Be Better. | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||
Mariusz | Pajaczkowski | If only such a sign will remain? | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||
Mariusz | Pajaczkowski | Each color adorns us (to Maja Wozniak) | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||
Mariusz | Pajaczkowski | Succession in subunit | √ | √ | ||||||||||||||||||||
Mariusz | Pajaczkowski | Corporation Kills | √ | √ | √ | √ | √ | √ | √ | |||||||||||||||
Mariusz | Pajaczkowski | Will there always be such religious boundaries? | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||||||
Mariusz | Pajaczkowski | All Creatures Life is Beautiful (to Justyna Stasiewicz) | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||||||
Mariusz | Pajaczkowski | The Imprisoned | √ | √ | √ | |||||||||||||||||||
Mariusz | Pajaczkowski | You`d better die standing... | √ | √ | √ | √ | ||||||||||||||||||
Mariusz | Pajaczkowski | Devaluation of value | √ | √ | √ | |||||||||||||||||||
Mariusz | Pajaczkowski | Aleppo | √ | √ | √ | √ | ||||||||||||||||||
Sham | Patwardhan - Joshi | Demagogue | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||||||
Sham | Patwardhan - Joshi | Taking the Mickey | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||||||
Felicity | Peters | #Me Too…Time To Declutter? | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||
Sylwester | Pietras | Scorpion | √ | √ | √ | √ | ||||||||||||||||||
Maciej | Pietrzkiewicz | Element, Clou, Glint | √ | √ | ||||||||||||||||||||
Maciej | Pietrzkiewicz | Source, Twilight, It’s High Time! Do It! | √ | √ | √ | |||||||||||||||||||
Malgorzata | Podlesna-Zdunek | We Are Building | √ | √ | √ | |||||||||||||||||||
Malgorzata | Podlesna-Zdunek | Corset | √ | √ | √ | |||||||||||||||||||
Enrica | Prazzoli | Device 2, or device to regulate the flow of excessive information we are subjected | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||
Lu | Quing Xin | Is the Future expected? | √ | √ | ||||||||||||||||||||
Marek | Rekus | Tres turmalinas | √ | |||||||||||||||||||||
Marek | Rekus | What's Up at The Bottom of the Ocean? | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||
Alain | Roggeman | Wild | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||
Marta | Rudnicka | Generations | √ | √ | √ | |||||||||||||||||||
Aleksandra | Rybak | A Wheel of Fortune | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||
Aleksandra | Rybak | Etude for the Guitar | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||
Wojciech | Rygalo | Triptych – This Is What Hurts Me | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||
Wojciech | Rygalo | A Knot | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||
Wojciech | Rygalo | In My Opinion – Sometimes I Am Ashamed | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||
Wojciech | Rygalo | Homophobia | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||
Wojciech | Rygalo | At the Crossroads | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||
Wojciech | Rygalo | The Only Rubber Allowed for Schoolgirls | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||||
Wojciech | Rygalo | Not Everyone Loves Your Dog (A Postscript to Maryla Dubiel’s Piece) | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||
Wojciech | Rygalo | The Fifth Element – the Woman. Dimensional obsession | √ | √ | √ | √ | √ | √ | √ | |||||||||||||||
Wojciech | Rygalo | Lichy palec (Untranslatable) | √ | √ | √ | √ | ||||||||||||||||||
Daniella | Saraya | Ikarus | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||
Kacper | Schiffers | & | √ | √ | √ | √ | ||||||||||||||||||
Olivier | Schwalm | Europe’s Promise | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||||||
Jacek | Skrzynski | Two sizes, two values | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||||
Jacek | Skrzynski | Constitution | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||
Jacek | Skrzynski | There Were Many Pianist... To the Memory of Ignacy Jan Paderewski | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||
Jacek | Skrzynski | My "From Here to Eternity" | √ | |||||||||||||||||||||
Jacek | Skrzynski | Stored in Memory | √ | √ | √ | |||||||||||||||||||
Philipp | Spillmann | Praise of Shadows | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||||
Justyna | Stasiewicz | All Creatures’ Life Is Beautiful | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||
Maria | Stepak | Breath | √ | √ | √ | |||||||||||||||||||
Andrzej | Szadkowski | Nothing Is What It Seems | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||
Andrzej | Szadkowski | Hole | √ | √ | √ | |||||||||||||||||||
Sylwia | Szoltysek | Metamorphosis | √ | √ | √ | √ | √ | √ | ||||||||||||||||
Aleksandra | Szulc | A Cure For Everything | √ | |||||||||||||||||||||
Jakub | Sliwowski | Small Is Beautiful, and Bigger Is… | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||||||
Iwona | Tamborska | Broken/Damaged | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||||||
Fabrizio | Tridenti | AC standard II | √ | |||||||||||||||||||||
Tim | Udvardi-Lakos | Praise of Shadows | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||||||
Hanna | Urbanska | Great Minimalism | √ | |||||||||||||||||||||
Hanna | Urbanska | You Praise the Foreign and Ignore Your Own | √ | √ | ||||||||||||||||||||
Hanna | Urbanska | DNA | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||
Hanna | Urbanska | Where Are We Going? | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||
Hanna | Urbanska | Trendy 2020 | √ | √ | √ | √ | ||||||||||||||||||
Hanna | Urbanska | Golden Egg | √ | |||||||||||||||||||||
Robert | Urlik | Poppies | √ | |||||||||||||||||||||
Andrea | Wagner | Feels Like Living a Movie – If Only I Knew Which One | √ | √ | √ | |||||||||||||||||||
Susan | Wainwright | Don't blame me - I voted to remain | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||
Joanna | Wajnikonis | Non-religious Manifesto - All Our Earthly Matters | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||
Joanna | Wajnikonis | Survival Bracelet: High Time – the Earth Needs It | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||||
Urszula | Wasilewska | Out of Tune | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||
Andrzej | Wilk | Where Are We Boud For? | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||
Julia | Winiarska | The Key to Intimacy | √ | √ | √ | |||||||||||||||||||
Julia | Wolny | My World | √ | |||||||||||||||||||||
Anthony | Wong | The Most Precious Thing I could Give You | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||
Anthony | Wong | In Emergency, water sparingly | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||
Martyna | Woszczak | Made in...? | √ | |||||||||||||||||||||
Martyna | Woszczak | Portrait | √ | √ | √ | |||||||||||||||||||
Maja | Wozniak | Rainbox revolution | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||
Maja | Wozniak | Pro choice | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||
Maja | Wozniak | And Who Is Right? | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||||
Maja | Wozniak | Connect as you like | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||||
Maja | Wozniak | Tacking | √ | √ | ||||||||||||||||||||
Maja | Wozniak | For Jarek | √ | √ | √ | |||||||||||||||||||
Maja | Wozniak | Children and Fish – and Women Have No Voice | √ | √ | ||||||||||||||||||||
Maja | Wozniak | Same Reflections | √ | √ | ||||||||||||||||||||
Rodoslaw | Wojcik | That Will Take You Nowhere, My Baby… | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||
Aneta | Wrobel | Re/valued | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||||||||
Lill Yildiz | Yalcin | “Yo Te Creo” (I Believe You) | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||
Oliwia | Zembaty | Communication | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||
Oliwia | Zembaty | Abyss | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||||||
Tadeusz | Zietara | Forest Study No 18 | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | ||||
Tadeusz | Zietara | Forest Study No 19 | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | |||||
Tadeusz | Zietara | Forest Study 20 | √ | √ | √ | √ | ||||||||||||||||||
Tadeusz | Zientara | Forest Study 21, Life After life | √ | √ | √ | |||||||||||||||||||
Katarzyna | Zuczkowska | Start… | √ | √ | √ | |||||||||||||||||||
Anna | Zyla | Tethered | √ | √ | √ |
* Uniquely, exhibition No. 21 is described with two columns; Nos 21 and 21*. Why?
Well, it so happened that for the first time during the four-and-a-half-year life of the project we experienced an intervention by politically empowered people who claimed the right to interfere with the statements made by the artists. Unofficial but very strong pressure was exerted on the director of the museum and some of the staff to eliminate politically and socially engaged pieces from the exhibition.
Since the main objective, i.e. the publication of a catalogue summarising the project, had been achieved, and, moreover, realizing that the punishment for the situation would have affected the people who had contributed most to the preparation of the exhibition and of the publication, we decided (cf. clause 1 and 10 of the Regulations) to withdraw from the exhibition of the works that had proved to be so “offensive”. Having neither the opportunity or desire to enter into an argument with these people, we decided to let it go.
Well, this is not the first time that certain political options have claimed the right to interfere in spheres that are clearly the essence of human rights, namely the sphere of the freedom of expression, including artistic expression.
It was not an easy decision, but one that we had to take immediately. When you compare columns 21 and 21*, it is easy to see which works were removed during the exhibition.
Marek Nowaczyk and Mariusz Pajączkowski